Feb
24
Sat
Writing Workshop: World Building
Feb 24 @ 10:00 am – 12:00 pm
When writing fiction, particularly genre fiction, one of the greatest hurdles a new writer faces is developing the world in which their story takes place. Whether it mirrors the real world or is built from scratch, is grounded in history or has a timeline of its own, the writer must be their own architect of the setting their characters will exist in and that their readers will accompany them in exploring. Join us for a discussion on establishing your fictional world, from geography and history to physics and magic. Bring your questions, roadblocks, and challenges on fictional world-building.
Matthew Phillion is the author of the young adult adventure series, The Indestructibles. He writes in a variety of genres. His screenwriting and directing debut, the romantic comedy Certainly Never, premiered in 2013 at the Massachusetts Independent Film Festival, was nominated for five awards including best screenplay and best New England film. An active freelance writer, Phillion continues to write about both local issues and the medical industry as both a journalist and newspaper editor.
Mar
3
Sat
Technicolor Funky Munchie Daydream Experience
Mar 3 @ 8:00 pm – 11:00 pm

Come to our annual fundraiser party!

 

Did you miss the Sixties? Do you miss the Sixties? Either way, this is your chance to relive Woodstock, Motown, The Beatles & Alice’s Restaurant!

Got the munchies? We’ll have plenty of food, cash bar & live music from the Sixties performed by the band Rule of 3.

Sixties-style threads and treads encouraged but not required.

 

Mar
10
Sat
Spring Course: Victorian Hearts and Minds
Mar 10 @ 2:00 pm – 4:00 pm

Theo Theoharis, instructor
6 Saturdays

The term Victorian has accumulated many meanings in the 100 years since its century and ruler have passed–stodgy, disciplined, sentimental are a few words associated with English life during the century that made England the ruling power economically and politically in much of the world. In this class we will read some of the literature which presents different moods, ideas, and aspirations from those we are accustomed to thinking of as Victorian, namely: antic comedy and cultural fantasizing in two novels, and longing, depth psychology, and sublimity in three poets. We will start with Lewis Carroll’s Alice’s Adventures in Wonderland, then move on to the poems of Matthew Arnold, Robert Browning, and Alfred, Lord Tennyson, and end with the Imperial Adventure story She, by H. Rider-Haggard, a great popular favorite whose readers included Sigmund Freud. There is a light-heartedness and well as intensity about the literature of this era. Let’s discover how these two tones relate to a world now past, which in many ways created and continues in ours.

The following is the list of preferred editions for the course texts:

Alice’s Adventures in Wonderland & Through the Looking-Glass, Lewis Carroll, Modern Library
ISBN 978-0-375-76-138-6

The Penguin Book of Victorian Verse, editor Daniel Karlin, Penguin Classics
ISBN 978-0-140-44578-7

She, H. Rider Haggard, Penguin Classics
ISBN 978-0-140-43763-8

 

Syllabus

Class 1, Alice’s Adventure in Wonderland

Class 2, Through the Looking Glass

Class 3, Poems by Arnold, Browning, Tennyson

Class 4, Poems by Arnold, Browning, Tennyson

Class 5, She: A History of Adventure

Class 6, She: A History of Adventure

 

 

Mar
14
Wed
Incessant Pipe: Contentions
Mar 14 @ 7:00 pm – 9:00 pm

Philosophy, Science, and Ideas. Come sit around a medium-large table and discuss the big stuff.

2nd Wednesdays at 7:00 p.m.

Mar
16
Fri
A Tale of Two Seaports: Salem and Newport
Mar 16 @ 7:00 pm – 8:30 pm

Salem, MA and Newport, RI are two great New England seaports with storied histories and rich architectural legacies. The streets, wharves and squares of the two towns will be examined from colonial times to the present, discovering parallels and distinctions arising from the topographic, economic and cultural forces that shaped these communities. This illustrated lecture will feature a treasure trove of period maps, paintings, illustrations and photography.

John Tschirch is an Architectural Historian specializing in buildings, landscapes and urban planning. He is presently Visiting Curator of Urban History for the Newport Historical Society where he is lead scholar for “Mapping the Newport Experience,” a project documenting the development of the city’s urban plan and the cultural response to its streetscapes by artists, writers and residents. John also teaches at Rhode Island School of Design and specializes in architectural, urban and landscape photography.

He has lectured widely in the U.S. and abroad on historic houses, landscapes and their preservation, from the 2012 Attingham Conference in London to the 1999 UNESCO sponsored conference on Architecture and Culture in Buenos Aires.

John is presently writing a collection of short stories (to be published on Amazon in summer of 2018) entitled Gods and Girls: Tales of Art, Seduction and Obsession, focused on the adventures of a series of heroines who encounter works of art and historic places that forever change the course of their lives. He is the creator and author of a monthly design history blog called John Stories, which features his photography and commentary on art, architecture and landscape. His work may be seen at www.johnstories.com.

       

The Salem History Lecture is presented annually by Historic Salem, Inc. and the Salem Athenaeum.

Mar
17
Sat
Spring Course: Victorian Hearts and Minds
Mar 17 @ 2:00 pm – 4:00 pm

Theo Theoharis, instructor
6 Saturdays

The term Victorian has accumulated many meanings in the 100 years since its century and ruler have passed–stodgy, disciplined, sentimental are a few words associated with English life during the century that made England the ruling power economically and politically in much of the world. In this class we will read some of the literature which presents different moods, ideas, and aspirations from those we are accustomed to thinking of as Victorian, namely: antic comedy and cultural fantasizing in two novels, and longing, depth psychology, and sublimity in three poets. We will start with Lewis Carroll’s Alice’s Adventures in Wonderland, then move on to the poems of Matthew Arnold, Robert Browning, and Alfred, Lord Tennyson, and end with the Imperial Adventure story She, by H. Rider-Haggard, a great popular favorite whose readers included Sigmund Freud. There is a light-heartedness and well as intensity about the literature of this era. Let’s discover how these two tones relate to a world now past, which in many ways created and continues in ours.

The following is the list of preferred editions for the course texts:

Alice’s Adventures in Wonderland & Through the Looking-Glass, Lewis Carroll, Modern Library
ISBN 978-0-375-76-138-6

The Penguin Book of Victorian Verse, editor Daniel Karlin, Penguin Classics
ISBN 978-0-140-44578-7

She, H. Rider Haggard, Penguin Classics
ISBN 978-0-140-43763-8

 

Syllabus

Class 1, Alice’s Adventure in Wonderland

Class 2, Through the Looking Glass

Class 3, Poems by Arnold, Browning, Tennyson

Class 4, Poems by Arnold, Browning, Tennyson

Class 5, She: A History of Adventure

Class 6, She: A History of Adventure

 

 

CSEM: Cantatas of Clérambault & Rameau
Mar 17 @ 8:00 pm – 10:00 pm

CSEM Presents

Amours contraries — Tragic Loves
Cantatas of Clérambault & Rameau

Les Bostonades
Akiko Sata, director & harpischord

Sarah Darling, baroque violin

Emily Walhout, viola da gamba

with tenor Zachary Wilder

Mar
24
Sat
Spring Course: Victorian Hearts and Minds
Mar 24 @ 2:00 pm – 4:00 pm

Theo Theoharis, instructor
6 Saturdays

The term Victorian has accumulated many meanings in the 100 years since its century and ruler have passed–stodgy, disciplined, sentimental are a few words associated with English life during the century that made England the ruling power economically and politically in much of the world. In this class we will read some of the literature which presents different moods, ideas, and aspirations from those we are accustomed to thinking of as Victorian, namely: antic comedy and cultural fantasizing in two novels, and longing, depth psychology, and sublimity in three poets. We will start with Lewis Carroll’s Alice’s Adventures in Wonderland, then move on to the poems of Matthew Arnold, Robert Browning, and Alfred, Lord Tennyson, and end with the Imperial Adventure story She, by H. Rider-Haggard, a great popular favorite whose readers included Sigmund Freud. There is a light-heartedness and well as intensity about the literature of this era. Let’s discover how these two tones relate to a world now past, which in many ways created and continues in ours.

The following is the list of preferred editions for the course texts:

Alice’s Adventures in Wonderland & Through the Looking-Glass, Lewis Carroll, Modern Library
ISBN 978-0-375-76-138-6

The Penguin Book of Victorian Verse, editor Daniel Karlin, Penguin Classics
ISBN 978-0-140-44578-7

She, H. Rider Haggard, Penguin Classics
ISBN 978-0-140-43763-8

 

Syllabus

Class 1, Alice’s Adventure in Wonderland

Class 2, Through the Looking Glass

Class 3, Poems by Arnold, Browning, Tennyson

Class 4, Poems by Arnold, Browning, Tennyson

Class 5, She: A History of Adventure

Class 6, She: A History of Adventure

 

 

Mar
31
Sat
Spring Course: Victorian Hearts and Minds
Mar 31 @ 2:00 pm – 4:00 pm

Theo Theoharis, instructor
6 Saturdays

The term Victorian has accumulated many meanings in the 100 years since its century and ruler have passed–stodgy, disciplined, sentimental are a few words associated with English life during the century that made England the ruling power economically and politically in much of the world. In this class we will read some of the literature which presents different moods, ideas, and aspirations from those we are accustomed to thinking of as Victorian, namely: antic comedy and cultural fantasizing in two novels, and longing, depth psychology, and sublimity in three poets. We will start with Lewis Carroll’s Alice’s Adventures in Wonderland, then move on to the poems of Matthew Arnold, Robert Browning, and Alfred, Lord Tennyson, and end with the Imperial Adventure story She, by H. Rider-Haggard, a great popular favorite whose readers included Sigmund Freud. There is a light-heartedness and well as intensity about the literature of this era. Let’s discover how these two tones relate to a world now past, which in many ways created and continues in ours.

The following is the list of preferred editions for the course texts:

Alice’s Adventures in Wonderland & Through the Looking-Glass, Lewis Carroll, Modern Library
ISBN 978-0-375-76-138-6

The Penguin Book of Victorian Verse, editor Daniel Karlin, Penguin Classics
ISBN 978-0-140-44578-7

She, H. Rider Haggard, Penguin Classics
ISBN 978-0-140-43763-8

 

Syllabus

Class 1, Alice’s Adventure in Wonderland

Class 2, Through the Looking Glass

Class 3, Poems by Arnold, Browning, Tennyson

Class 4, Poems by Arnold, Browning, Tennyson

Class 5, She: A History of Adventure

Class 6, She: A History of Adventure

 

 

Apr
7
Sat
Spring Course: Victorian Hearts and Minds
Apr 7 @ 2:00 pm – 4:00 pm

Theo Theoharis, instructor
6 Saturdays

The term Victorian has accumulated many meanings in the 100 years since its century and ruler have passed–stodgy, disciplined, sentimental are a few words associated with English life during the century that made England the ruling power economically and politically in much of the world. In this class we will read some of the literature which presents different moods, ideas, and aspirations from those we are accustomed to thinking of as Victorian, namely: antic comedy and cultural fantasizing in two novels, and longing, depth psychology, and sublimity in three poets. We will start with Lewis Carroll’s Alice’s Adventures in Wonderland, then move on to the poems of Matthew Arnold, Robert Browning, and Alfred, Lord Tennyson, and end with the Imperial Adventure story She, by H. Rider-Haggard, a great popular favorite whose readers included Sigmund Freud. There is a light-heartedness and well as intensity about the literature of this era. Let’s discover how these two tones relate to a world now past, which in many ways created and continues in ours.

The following is the list of preferred editions for the course texts:

Alice’s Adventures in Wonderland & Through the Looking-Glass, Lewis Carroll, Modern Library
ISBN 978-0-375-76-138-6

The Penguin Book of Victorian Verse, editor Daniel Karlin, Penguin Classics
ISBN 978-0-140-44578-7

She, H. Rider Haggard, Penguin Classics
ISBN 978-0-140-43763-8

 

Syllabus

Class 1, Alice’s Adventure in Wonderland

Class 2, Through the Looking Glass

Class 3, Poems by Arnold, Browning, Tennyson

Class 4, Poems by Arnold, Browning, Tennyson

Class 5, She: A History of Adventure

Class 6, She: A History of Adventure