Pumpkin Bread, a folk quintet based in Boston, MA, plays original acoustic music that blends influences from traditional folk songs and fiddle tunes with modern sensibilities and intricate arrangements. This show marks the release of Dear Starling, the band’s much anticipated second full length record.
The band features Aidan Scrimgeour, Conor Hearn, Jackson Clawson, Maura Shawn Scanlin and Steven Manwaring.
See a Pumpkin Bread video:
Photo Credit: Louise Bichan
209th Annual Meeting of the Proprietors of the Salem Athenaeum and election of officers and new trustees. All members in good standing are welcome to attend.
Susanna Ogata, Guy Fishman, and Ian Watson return to Salem to present a program of German and Italian 17th-century baroque music on period instruments.
Works by German composers Buxtehude, Biber, and Schmelzer evince the allegorical and philosophical nature of virtuosity. This is juxtaposed with the fantasy and abandon of Italian works by Castello, Marini, and Corelli, as well as the very first works for cello solo by Gabrielli and Jacchini.
When Emily Dickinson died in 1886, she was unknown outside the small circle of her family and friends. Her sister, Lavinia, promised she would burn all of Emily’s papers once she was gone. But Lavinia could not bring herself to destroy the remarkable cache of nearly 1,800 poems she discovered after Emily’s death. Instead she sought an editor, a person who knew and loved Emily, who could decipher the confusing manuscripts and put them into publishable form. Mabel Loomis Todd was that person. Though Emily and Mabel never met face-to-face, the friendship they had built through correspondence afforded Mabel the insight she would need as she and her daughter Millicent Todd Bingham built Emily’s literary legacy.
Julie Dobrow, a journalist and a professor at Tufts University and author of AFTER EMILY, a new biography that weaves together the stories of Emily, Mabel, and Millicent using hundreds of primary source materials, many of which have never before been quoted in published works. Dobrow pored over hidden diaries, long-lost letters, and rarely seen documents. Her work allows readers to hear the thoughts, hopes, and sorrows of these women in their own words—from the unforgettable feuds between Mabel and members of the Dickinson family, to Millicent’s struggles growing up steeped in her mother’s obsession with editing Dickinson’s works, to their own close but complicated connection.