Dyan deNapoli is a penguin expert, a TED and Nat Geo speaker, and the award-winning author of THE GREAT PENGUIN RESCUE: 40,000 Penguins, A Devastating Oil Spill, and the Inspiring Story of the World’s Largest Animal Rescue.
After working as a Penguin Aquarist at Boston’s prestigious New England Aquarium for 9 years, Dyan began traveling the world as The Penguin Lady, teaching children and adults of all ages about penguin biology, behavior, and conservation. Over the last 23 years, she has captivated hundreds of thousands of audience members with stories of her various experiences with penguins, including her involvement in the largest animal rescue operation to date, and her deep passion and extensive knowledge about penguins. She donates 20% of the proceeds from her book and from every appearance to penguin rescue, research, and conservation groups.
Anne Azema (voice and hurdy-gurdy) and Shira Kammen (vielle and harp), present “Leale Amie,” an exploration of the spirit and power of women through songs and poems of medieval France. They evoke archetypal symbols of the feminine as well as images of women amid the flow of their lives and loves. Passion, joy, sorrow, and humor inform these treasures – eight centuries old, yet timeless. Aristocratic pieces, including trouvere songs by Count Thibaut de Champagne (1201-53), rub shoulders with others of a popular nature, creating an intimate yet emotionally moving experience.
The Monday Evening Conversations Group meets on the second Monday of the month at 7:00 PM. All members and other interested parties are invited.
It may be of interest to know that the The Social Library, predecessor of the Salem Athenæum, was founded by a similar discussion group, called the Monday Evening Club. Edward Augustus Holyoke, Rev. Thomas Barnard, Rev. Thomas Gilchrist, Benjamin Lynde, Nathaniel Ropes and others were among the Monday Evening Club founders, who gathered to discuss current events and topics of mutual interest.
Topics for discussion are wide open, but must be amenable to good conversation. Examples include:
- The long ranging effects of the Civil War
- The courage to be vulnerable
- European architecture
- The importance/non importance of art
- Why have friends
Meetings will start with something to help frame the discussion for the evening, such as a:
- brief talk
- reading of prose or poetry
We look forward to talking with you!
“If you don’t know where you are, you don’t know who you are.”
Place is not just where we hang our hats, or where we go for the holidays—place shapes our identity; it’s a language that lives outside us. In this workshop, we’ll spend the morning exploring Salem through writing prompts. We’ll slow down and notice things we rush by on our way to the train. Take time to think about history and our place within it. You’ll have a chance to write in parks, by the water, in a museum. Maybe we’ll make up stories for the statues, or write odes to the secret lives of the people you pass on the street every day. We’ll make a map of the sounds, and smells, and sights of Salem, by doing what writers do best: paying attention.
Is your mobility limited? There will be a number of writing prompts at the Salem Athenaeum for those who would like to participate in the workshop but are unable to make the walk around town.
Danielle Jones holds an MFA from the University of Massachusetts Boston, and is assistant director of the Writers House at Merrimack College. Her work has appeared in Beloit Poetry Journal, Best New Poets, Incessant Pipe, Memorious, and elsewhere. She’s a recipient of a 2014 Rona Jaffe Foundation Writer’s Award.
209th Annual Meeting of the Proprietors of the Salem Athenaeum and election of officers and new trustees. All members in good standing are welcome to attend.
Susanna Ogata, Guy Fishman, and Ian Watson return to Salem to present a program of German and Italian 17th-century baroque music on period instruments.
Works by German composers Buxtehude, Biber, and Schmelzer evince the allegorical and philosophical nature of virtuosity. This is juxtaposed with the fantasy and abandon of Italian works by Castello, Marini, and Corelli, as well as the very first works for cello solo by Gabrielli and Jacchini.