Mar
16
Fri
A Tale of Two Seaports: Salem and Newport
Mar 16 @ 7:00 pm – 8:30 pm

Salem, MA and Newport, RI are two great New England seaports with storied histories and rich architectural legacies. The streets, wharves and squares of the two towns will be examined from colonial times to the present, discovering parallels and distinctions arising from the topographic, economic and cultural forces that shaped these communities. This illustrated lecture will feature a treasure trove of period maps, paintings, illustrations and photography.

John Tschirch is an Architectural Historian specializing in buildings, landscapes and urban planning. He is presently Visiting Curator of Urban History for the Newport Historical Society where he is lead scholar for “Mapping the Newport Experience,” a project documenting the development of the city’s urban plan and the cultural response to its streetscapes by artists, writers and residents. John also teaches at Rhode Island School of Design and specializes in architectural, urban and landscape photography.

He has lectured widely in the U.S. and abroad on historic houses, landscapes and their preservation, from the 2012 Attingham Conference in London to the 1999 UNESCO sponsored conference on Architecture and Culture in Buenos Aires.

John is presently writing a collection of short stories (to be published on Amazon in summer of 2018) entitled Gods and Girls: Tales of Art, Seduction and Obsession, focused on the adventures of a series of heroines who encounter works of art and historic places that forever change the course of their lives. He is the creator and author of a monthly design history blog called John Stories, which features his photography and commentary on art, architecture and landscape. His work may be seen at www.johnstories.com.

       

The Salem History Lecture is presented annually by Historic Salem, Inc. and the Salem Athenaeum.

Mar
17
Sat
Spring Course: Victorian Hearts and Minds
Mar 17 @ 2:00 pm – 4:00 pm

Theo Theoharis, instructor
6 Saturdays

The term Victorian has accumulated many meanings in the 100 years since its century and ruler have passed–stodgy, disciplined, sentimental are a few words associated with English life during the century that made England the ruling power economically and politically in much of the world. In this class we will read some of the literature which presents different moods, ideas, and aspirations from those we are accustomed to thinking of as Victorian, namely: antic comedy and cultural fantasizing in two novels, and longing, depth psychology, and sublimity in three poets. We will start with Lewis Carroll’s Alice’s Adventures in Wonderland, then move on to the poems of Matthew Arnold, Robert Browning, and Alfred, Lord Tennyson, and end with the Imperial Adventure story She, by H. Rider-Haggard, a great popular favorite whose readers included Sigmund Freud. There is a light-heartedness and well as intensity about the literature of this era. Let’s discover how these two tones relate to a world now past, which in many ways created and continues in ours.

The following is the list of preferred editions for the course texts:

Alice’s Adventures in Wonderland & Through the Looking-Glass, Lewis Carroll, Modern Library
ISBN 978-0-375-76-138-6

The Penguin Book of Victorian Verse, editor Daniel Karlin, Penguin Classics
ISBN 978-0-140-44578-7

She, H. Rider Haggard, Penguin Classics
ISBN 978-0-140-43763-8

 

Syllabus

Class 1, Alice’s Adventure in Wonderland

Class 2, Through the Looking Glass

Class 3, Poems by Arnold, Browning, Tennyson

Class 4, Poems by Arnold, Browning, Tennyson

Class 5, She: A History of Adventure

Class 6, She: A History of Adventure

 

 

CSEM: Cantatas of Clérambault & Rameau
Mar 17 @ 8:00 pm – 10:00 pm

CSEM Presents Les Bostonades, with tenor Zachary Wilder

Cambridge Society for Early Music will present its final concert of the season at the Salem Athenaeum on Saturday, March 17: French Baroque music perfect for spring and thoughts of love. The performers are Les Bostonades, an ensemble with a “voluptuous” sound, directed by acclaimed harpsichordist Akiko Sato. They are joined by the captivating American tenor Zachary Wilder, whose bright and silken voice evokes sighs. His manner is easy-going, and his career soaring. This year alone he performs in six European countries, Japan and the USA. The program is entitled Amours Contrariées — Tragic Loves: Cantatas of Clérambault & Rameau. The cantatas are small dramatic gems inspired by ancient myths, tales of the tremulous hopes, tender joys, and utter despairs of star-crossed lovers: Pyramus and Thisbe, and Orpheus and Euridice. From Rameau, there is a romantic-pastoral cantata in which an impatient lover awaits “the charming object” of his affection, as well as pieces for harpsichord — also charming. Don’t miss this evening of ravishing music! A convivial reception follows. The ensemble: Akiko Sato, director & harpsichord; Sarah Darling, Baroque violin; Teddie Hwang, traverso; & Emily Walhout, viola da gamba. All are welcome. Bring your friends! Tickets at the door (cash or check): $30 | $25 seniors & Athenaeum members | students free. Information: www.csem.org | 617-489-2062. Listen to Zachary Wilder at www.zacharywilder.com.

 

 

Mar
20
Tue
Salem Writers’ Group
Mar 20 @ 7:30 pm – 9:30 pm

All are welcome to bring work-in-progress to share with the group for feedback. The group is facilitated by J.D. Scrimgeour, Professor of English, Salem State University.

Mar
24
Sat
Spring Course: Victorian Hearts and Minds
Mar 24 @ 2:00 pm – 4:00 pm

Theo Theoharis, instructor
6 Saturdays

The term Victorian has accumulated many meanings in the 100 years since its century and ruler have passed–stodgy, disciplined, sentimental are a few words associated with English life during the century that made England the ruling power economically and politically in much of the world. In this class we will read some of the literature which presents different moods, ideas, and aspirations from those we are accustomed to thinking of as Victorian, namely: antic comedy and cultural fantasizing in two novels, and longing, depth psychology, and sublimity in three poets. We will start with Lewis Carroll’s Alice’s Adventures in Wonderland, then move on to the poems of Matthew Arnold, Robert Browning, and Alfred, Lord Tennyson, and end with the Imperial Adventure story She, by H. Rider-Haggard, a great popular favorite whose readers included Sigmund Freud. There is a light-heartedness and well as intensity about the literature of this era. Let’s discover how these two tones relate to a world now past, which in many ways created and continues in ours.

The following is the list of preferred editions for the course texts:

Alice’s Adventures in Wonderland & Through the Looking-Glass, Lewis Carroll, Modern Library
ISBN 978-0-375-76-138-6

The Penguin Book of Victorian Verse, editor Daniel Karlin, Penguin Classics
ISBN 978-0-140-44578-7

She, H. Rider Haggard, Penguin Classics
ISBN 978-0-140-43763-8

 

Syllabus

Class 1, Alice’s Adventure in Wonderland

Class 2, Through the Looking Glass

Class 3, Poems by Arnold, Browning, Tennyson

Class 4, Poems by Arnold, Browning, Tennyson

Class 5, She: A History of Adventure

Class 6, She: A History of Adventure

 

 

Mar
27
Tue
La Tertulia
Mar 27 @ 6:00 pm – 8:00 pm

La Tertulia is a group of members interested in keeping their Spanish speaking skills in practice. They meet on 2nd and 4th Tuesdays of each month.

Incessant Pipe Poetry Salon
Mar 27 @ 7:00 pm – 9:00 pm

The Incessant Pipe Poetry Salon will meet on the 4th Tuesday of every month at 7pm upstairs in the Salem Athenaeum. “The Pipe” is a space to read poetry, yours or others, and discuss everything from the price of tea in China to quantum particles (as long as it relates back to poetry). All styles of poetry are welcome.

Mar
31
Sat
Spring Course: Victorian Hearts and Minds
Mar 31 @ 2:00 pm – 4:00 pm

Theo Theoharis, instructor
6 Saturdays

The term Victorian has accumulated many meanings in the 100 years since its century and ruler have passed–stodgy, disciplined, sentimental are a few words associated with English life during the century that made England the ruling power economically and politically in much of the world. In this class we will read some of the literature which presents different moods, ideas, and aspirations from those we are accustomed to thinking of as Victorian, namely: antic comedy and cultural fantasizing in two novels, and longing, depth psychology, and sublimity in three poets. We will start with Lewis Carroll’s Alice’s Adventures in Wonderland, then move on to the poems of Matthew Arnold, Robert Browning, and Alfred, Lord Tennyson, and end with the Imperial Adventure story She, by H. Rider-Haggard, a great popular favorite whose readers included Sigmund Freud. There is a light-heartedness and well as intensity about the literature of this era. Let’s discover how these two tones relate to a world now past, which in many ways created and continues in ours.

The following is the list of preferred editions for the course texts:

Alice’s Adventures in Wonderland & Through the Looking-Glass, Lewis Carroll, Modern Library
ISBN 978-0-375-76-138-6

The Penguin Book of Victorian Verse, editor Daniel Karlin, Penguin Classics
ISBN 978-0-140-44578-7

She, H. Rider Haggard, Penguin Classics
ISBN 978-0-140-43763-8

 

Syllabus

Class 1, Alice’s Adventure in Wonderland

Class 2, Through the Looking Glass

Class 3, Poems by Arnold, Browning, Tennyson

Class 4, Poems by Arnold, Browning, Tennyson

Class 5, She: A History of Adventure

Class 6, She: A History of Adventure

 

 

Apr
3
Tue
Salem Writers’ Group
Apr 3 @ 7:30 pm – 9:30 pm

All are welcome to bring work-in-progress to share with the group for feedback. The group is facilitated by J.D. Scrimgeour, Professor of English, Salem State University.

Apr
7
Sat
Writing Workshop: Jumpstart the Novel
Apr 7 @ 10:00 am – 12:00 pm

Few accomplishments deliver the joy and pride of writing and publishing a novel.  Jim DeFilippi’s workshop guarantees that this accomplishment—although not easy—is surprisingly achievable.