The library will close at 2 pm on December 23 for the holidays. Normal hours and meeting schedules resume on Tuesday, January 2.
What kinds of promises do we make to ourselves and others? What happens when we try to make changes, or to keep our commitments?
In the spirit of the Moth Radio Hour, the Salem Athenaeum Writing Committee offers another evening of live storytelling on the theme of resolutions.
Come hear true stories from community members Julie Batten, Taylor Botticelli, Manny Cruz, Tom Laaser, Carolyn McGuire, Jill Sampieri, and Sandra Winter.
The Monday Evening Conversations Group meets on the second Monday of the month at 7:00 PM. All members and other interested parties are invited.
It may be of interest to know that the The Social Library, predecessor of the Salem Athenæum, was founded by a similar discussion group, called the Monday Evening Club. Edward Augustus Holyoke, Rev. Thomas Barnard, Rev. Thomas Gilchrist, Benjamin Lynde, Nathaniel Ropes and others were among the Monday Evening Club founders, who gathered to discuss current events and topics of mutual interest.
Topics for discussion are wide open, but must be amenable to good conversation. Examples include:
- The long ranging effects of the Civil War
- The courage to be vulnerable
- European architecture
- The importance/non importance of art
- Why have friends
Meetings will start with something to help frame the discussion for the evening, such as a:
- brief talk
- reading of prose or poetry
We look forward to talking with you!
Frances Hodgson Burnett, born in Manchester England, was an imaginative story-teller from her youth on. While still a teenager, she was able to use this ability to help her family financially. As an adult, her stories allowed her to afford a rather lavish lifestyle, yearly transatlantic trips, and multiple residences on both sides of the Atlantic. Burnett married twice, but both her marriages ended in divorce.
Burnett may be best known for her creations of Little Lord Fauntleroy and The Little Princess, probably as the result of their successful dramatizations. However, Burnett also wrote top selling romantic novels at the turn of the 20th century. Her first novel was entitled “That Lass o’ Lowrie’s” (1877) and the final one called “The Head of the House of Coombe “(1922) and “Robin”, a sequel (1922). Burnett’s novels sometimes reflect her cosmopolitan outlook and her interest in history, are sometimes autobiographical, and sometimes reveal supernatural themes (“In the Closed Room”) and religious themes (“The Dawn of Tomorrow”). Burnett became a US citizen in 1905 and settled permanently on Long Island in 1907 where she died.
Come to the Athenaeum’s discussion of Burnett, Monday, January 8 at 7 pm and see whether our more skeptical age can find pleasure in her romantic tales.
Enjoy an evening of friends and complimentary hors d’oeuvres courtesy of the Adriatic. As you soak in the warmth and comfort of one of Salem’s premier eating and drinking establishments, we’re hoping to raise essential operating funds to help support our programs for 2018.
All proceeds support the Athenæum. Cash bar.
If Music Could Talk, the Athenaeum’s new series of musical performances also includes brief demonstrations, conversations about music, and audience interaction.
Professor Kelly is the Morton B. Knafel Professor of Music, former chair of Harvard’s Music Department, and an expert in Medieval music. Renowned as a speaker who can make his subject come alive, he was selected from among the entire faculty for one of the pilot projects of EdX, Harvard’s online learning program. Kelly’s book Capturing Music: The Story of Notation was published in 2014 by Norton to wide acclaim. This presentation will feature slides (including illuminated manuscripts and architecture) and many recorded musical examples.
Part of our If Music Could Talk series:
Confluence, the performance group consisting of musician Philip Swanson and writer J.D. Scrimgeour specializes in telling stories through a combination of poetry and music. The pair will present two of their major pieces, “The Baby” and “Ogunquit,” and engage in a dialogue with the audience about their work and the relation of words to music.
J.D. Scrimgeour is the author of three collections of poetry, including the recently released Lifting the Turtle. He’s also the author of two books of nonfiction, including Themes for English B: A Professor’s Education In & Out of Class, which won the AWP Award for Nonfiction. In addition to his work on Confluence, his interests in interdisciplinary work have led him to collaborate with choreographer Caitlin Corbett and photographer Kim Mimnaugh, and he wrote the book for the musical, Only Human, which premiered in Ames Hall in Salem in 2014. He is Professor of English and Coordinator of Creative Writing at Salem State University, and he is the Co-Chair of the Athenaeum Writing Committee.
Philip Swanson has had a wide ranging career as a trombonist, pianist, composer, organist, conductor, and teacher. He received a Doctor of Musical Arts from New England Conservatory, Master of Music from the Eastman School, and did his undergraduate study at Oberlin Conservatory and the University of Miami.
As a trombonist he has performed with the Miami Philharmonic, where he served as principal for five years, the Boston Symphony Orchestra, Boston Pops, Opera Boston, Boston Modern Orchestra Project, Boston Ballet Orchestra, and numerous other orchestral and chamber ensembles. He has performed with numerous small group and big band jazz ensembles including Chamber Jazz, which he founded with guitarist Anthony Weller and The Bob Nieske 10. He also has collaborated with the poet J.D. Scrimgeour, Director of Creative Writing at Salem State University, forming the group “Confluence” which combines Scrimgeour’s poetry with his music.
Swanson is Professor of Music at Salem State University where he teaches music theory, composition, trombone and piano. Since 1991 he has been Music Director of the First Congregational Church of Rockport where he serves as organist and choir director.
Swanson has written and published numerous works in both instrumental and vocal genres. He can be heard on a wide range of recordings including several jazz groups, two solo piano recordings, an album with J.D. Scrimgeour of poetry and music, and performances with larger ensembles including the Boston Pops and John Williams.
For information on his compositions, recordings and current performances visit: www.swansonmusic.com.
The oldest meaning of the Greek-derived word “ekphrasis” is “out of speech” or “out of expression.” It is used to denote the age-old tradition of writing inspired from art. This workshop will focus on generating poetry at the intersection of writing and visual art by examining how various poets have responded to painting, sculpture, or photography. Examples of visual works of art will be provided, but you are encouraged to bring a favorite piece. And then, we will write! You may want to draft work to be shared at the Quinton Jones exhibit on February 9.
Jennifer Martelli’s debut poetry collection, The Uncanny Valley, was published in 2016 by Big Table Publishing Company. She is also the author of After Bird from Grey Book Press. Her work has appeared in Thrush, [Pank], Glass Poetry Journal, Cleaver, The Heavy Feather Review, The Ekphrastic Review, and Tinderbox Poetry Journal. Jennifer Martelli has been nominated for Pushcart and Best of the Net Prizes and is the recipient of the Massachusetts Cultural Council Grant in Poetry. She is a book reviewer for Up the Staircase Quarterly as well as the co-curator for The Mom Egg VOX Folio.